He told me what he wanted to tell me, how he had no one and things like that. I listened for a while and smiled a lot, not sure what he made of that. Dried blood on his hand, he said he carried a corpse to the hospital- works for the railway, 40 years. I think anyway, it was very hard to understand him. I touched his foot, it was awful and charred with dirt I don’t think will ever wash off him completely. Again, how long has this man got to live? I forgot his name too. Towards the end, it had gone sour, as he spoke agitated to me, accusatory and aggressive as I began to take his picture, I realized I was a hawk and he had just made me, there was absolutely nothing I could offer this man. Blood flew off his nose onto his pants, I had brushed a fly away from the horizontal gash on it but it had returned and I couldn’t care less. Who gives a fuck about him?
I saw his son before I ever met him, Shaukat Sheikh, Irshad was making some phone calls in and NGO office and I saw the MISSING poster on the desk, held it out against him and took some photos. We were at Ambojwadi, embroiled in Ganpatpatil Nagar, far, far, far from other concerns.
The second time I ran into Shaukat, I was smoking a cigarette outside Irshad and Shafi Law’s office in Antop Hill, I don’t recall why I was there- it was becoming a bit tiresome when they’d call me all the way out for 5 minutes of information and I’d end up staying the entire day.
I recognized him immediately, even in the dark gulley. His tall, emaciated frame and that hawkish face; those alert, shining eyes. I’d photographed him at his home a few weeks ago in Golibar, Santacruz to cover the disappearance of his son in a Slum Rehabilitation Authority (SRA) fraud.
Shaukat was passed over for relocation when his area was allocated for redevelopment by a building agency, Shivalik Ventures, on the basis of an SRA criteria that allows free housing to slum-dwellers that have resided in their respective area since 1995. However, several others that did not meet the criteria were allocated housing, a fact Shaukat attributes to forgery and corruption, instigated not by the residents, but the promoters of Shivalik’s agenda in the slum.
Amid threats to life and family, he launched a series of RTIs (Right to Information query) into the builder’s practice, and it was revealed that the promoters had added fictitious names to the list of beneficiaries which forced a re-evaluation of the list by the Vigilance Committee of the Maharashtra Housing and Development Authority.
On August 1, 2012, Mohammad Sajid, Shaukat Sheikh ’s oldest son disappeared on the way back from coaching classes. It was his fifteenth birthday.
It took 2 months for the police to recognize the case as a kidnapping, though fouler play is suspected still. I remember asking Shaukat if he thought the investigations of the police, the formation of a special investigation team on the order of the High Court, could possibly result in the return of his son. He told me at this point he’d rather just know what had happened to him.
A mysterious phone number showed up in three of Sajid’s school books. Sajid didn’t have a mobile phone. None of his friends had mobile numbers. Was this a relevant fact? The police refused to investigate the number, highly unusual given the context. Shaukat’s own digging revealed little.
There, in Antop Hill, he was visiting Shafi and Irshad to tell them of his court hearing the next day, where he expected the judge to put a deadline to the stagnant police investigation. He asked me if I could make it to the High Court the next day, I promised I would.
Shaukat is a simple person, who smiles kindly at jest. His lawyer, Wesley, a pro bono Human Rights guy, is joking with him, trying to work off his nerves before they enter the courtroom. He tells us all to turn our phones off; he asks me to button my collar, as it would be more formal. I oblige. He tells them not to speak, and let him handle it with the judge. I strike a conversation with his assistant, a dreamy eyed law school undergraduate. We’ll talk about noodle wrapped chicken at Mohammad Ali road. We enter.
This is a maritime courtroom, I just climbed onto a deck. Other than the light streaming in from the high windows on the upper level, the large room is lit simply by overhead lamps hanging from the clean, painted aluminum ceiling. Some cops stand around, they all wear shoes of the same ugly tan orange leather. There is the spirit of assembly, we’re all waiting for the judge to arrive; Shaukat is sitting a few spaces to my left on one of three benches on the dock, his wife to my side and Wesley, the lawyer, hovers behind him reviewing his notes.
The stacks of paper the court clerks handle on the long desk are voluminous. It appears to be pretend order, many steps to a dance of no tune. I’ve seen it in other government offices- stacks of damp, age old documents decaying in towers- they look like they haven’t been touched since being put there, and it’s difficult to imagine they would serve any purpose in the condition that they are. Metric tonnes of never digitized records that no one can handle now without tearing from cover to cover at the slightest touch. It’s all information they never knew how to process anyway- funny how they always want more.
The judge enters, preceded by a couple of bailiffs in cute red turbans, and court begins.
About half an hour into it, Shaukat turns to me and signals ‘2’. His case number is 8, there appear to be 2 left. Before I know it, it’s time.
I thought he’d lost his nerve in front of the judge, a sharp faced, fair skinned man with perfect English and an authoritative voice, but really he seems to be working himself into a respectful, subdued insistence that works really well on the judge. The main conflict here with the defendant is the reluctance to acknowledge the case as a kidnapping. The judge gives the police a week to conclude their investigation and orders immediate police protection for Shaukat and his remaining family- a 24 hour 2 man detail. Shaukat’s wife’s phone goes off. It’s a half minute of terrifying nonchalance until she realizes it’s her’s and rushes out of the room, ushered by annoyed but sympathetic court clerks and cops.
The judge is inquiring the cause of the delay in the results of the investigation, the state appointed defendant isn’t being convincing.
Does Shaukat understand what’s going on? Wesley is beaming.
It’s done, we exit the courtroom. In the busy hall, we clutch a corner against a bannister, one of the many that seem to be holding the place up and huddle around Wesley as he explains the verdict, telling Shaukat about the protection detail and the deadline. Shaukat asks if they’ve recognized the case as a kidnapping. They haven’t. Wesley explains that the court will await the police report. Shaukat, no one present, has any faith in the police.
What’s that look on Shaukat’s face? A crumbling look. Placcant. Complicated. I’ve seen it before, at school when a child would be told what they could not do, without hope or the possibility of reasoning or dialogue. A worthless affront by a system that doesn’t care; it surprises and frightens me to see that as it was for us as children, it will be for us as men, led unquestioningly by a useless cavalcade of better dressed, better educated fools.
Shaukat stood up against oppression and they took his son away. He turned to the system for help, the system that had betrayed him in the first place and it did nothing. Now, years later, it appears that the court will grant Shaukat recognition for his persistence. Acknowledgment of his loss? No, not yet. And no justice either, perhaps never that.
January, I’m leaving Azad Maidan and crossing the busy intersection that separates it from the CST terminal, making it halfway before a two-way wall of traffic forces me to take shelter on the divider. I guess I could have taken the underground walkway- being early in the year and still cool, I wouldn’t even have had to wade through the thick murky heat of the pressurised subway for the 2 minute walk to the station, but having spent most of last week working and sleeping among 10,000 odd people at a Ghar Bachao, Ghar Banao relay fast, I’m not exactly adamant at the prospect of spending any more time than I have to in human company. Funny thing then that I’m about to board a local.
I get onto the cargo and goods compartment of a train heading to Kurla. I don’t see him get on, but this beautiful kid swings past me as the train pulls off and attaches himself to the handlebars at the door- he’s wearing a large, torn red jacket vivid in the bright yellow light of the winter sun. The morning is soothing, and the boy sailing at the door and his jacket billowing behind him make an image that can take me anywhere.
The men start bothering the kid, I think for a moment one must be his father but realize that he’s not. There’s suddenly a hint of concern, the same that accompanies a street animal in peril and little more. The sudden lapse of apathy is stifling, almost unnatural in this city- the kid feels it and leaves at Dadar, disappearing into the peak rush, forever lost from the hearts and minds of all present in that compartment. A dark old man tells me he was on something, I’d have thought glue but he said it was something they snorted. They, running around getting high and wandering the trains all day long. I thought he was someone’s son, and he had dust on his face and dirt clinging to his bare feet and legs like it wouldn’t ever come off. He was at ease though, on the open ledge, flying as the train did, and I really could see him go.
This post is a part of the #Vote4Children Blog-a-thon on Youth Ki Awaaz. Find out more at: http://www.youthkiawaaz.com/vote4children
Peering at the LCD, he congratulates me on the picture as he puts his shirt back on. I feel the familiar wave rise- oh, all y’all are too easily impressed. As he adjusts his collar, I catch sight of some discoloration on his neck, and suddenly it’s far too late to unsee the two slits that run across his throat. He smiles, a wide, satisfied smile with a twinge of something I can’t quite place, and says something to the guard standing behind him- we’re at a side entrance of the Bombay Presidency Golf Club. My eyes drop to the preview panel on my camera, I can’t believe I missed that. His body is a map of scars running like snakes in patterns too organized to have been a product of chance or accident. I look up, what the fuck is he still smiling about? He tells me his name. Rajesh. Ramesh. Raju. Come five minutes and I won’t remember. I take the guard aside, my mind flying to thoughts of maniacal gangland torture, some kind of incremental punitive measures ripped off all screwed and twisted from second-hand rumours of the East; there are, after all, a few hundred odd meters of roadside shacks lining the perimeter of the golf course and this is Mumbai. I ask the guard.
‘What did he say,’ he asks back, I don’t realize it’s a trap.
‘Too much alcohol,’ I reply.
‘Then that’s all you need to know’
A few weeks later, it’s around 2 AM and I’m returning from a December 6th B.R. Ambedkar service with a few gangster types (Jai Bhim!); one of them is trying to convince me that doing it with a homosexual doesn’t make you one too, since it’s ‘normal’ for the other guy. Not entirely sure how to counter the argument, I try to enjoy the chill night air and relax. The road is unlit and deserted; unrecognizable at this time, but my present company lays all fears to rest- I’ll be perfectly fine for the next half hour.
There’s a glow in the distance, at a bend. ‘They’re burning a body there,’ one of my companions points out. I realize I’m on the same road as before as we pass the entrance of the golf course. Not sure how to bring it up to the fellows, whom I suspect would probably know something about the guy I had photographed, I tell them about the last time I’d been on this road and I’d seen this guy with these scars…
‘Yeah, he does that to himself’
‘He does that to himself?’
I don’t even recognize him in this picture. Some gone boy… where did he find that face? I’ve adjusted the picture, made him gleam like a car. But that’s not the man I met that day, who’d taken off his shirt for a photograph that I didn’t know I was about to take. I don’t even remember his name.
I lost you son. I wonder where you are now if you’re even alive. But I guess in this city you can say that for a lot of people.